HOTFOOT SPECIALS KICKIN’ UP THE DUST CD ALBUM REVIEW


The Hotfoot Specials – Kickin’ Up The Dust Cd Album Review

Firstly I have to state a conflict of interests here, this is my brother’s band, BUT and it’s a big BUT (that’s why I put it in capital letters!) he and you should know that I am utterly and independently critical and will not pull my punches, hold back from the truth, or as he knows all too well, restrict myself from telling it like (I think) it is.

001Frankly this is a whirling dervish of Cajun music, as authentic as Cajun gets outside of Louisiana. Leader and Melodian player Chris (my Bro) Murphy is an American born, but most importantly American folk culture bred, Cajun Melodian player with a deep and dark history as keyboards player in various bands, signed bands, pro bands, really proper amazing Pop bands with US tours and stuff.. he comes from a long line of musical family and swore that he would never perform live again (after years of torturing himself in Los Angeles). Thank GOD he met Kirsten Hammond one of the best Violin (Fiddle to you Folkies) players I have ever seen heard and enjoyed who encouraged him to leave the swamp of his front room Bayou and, with her, move into the real mainstream world of performance again.

Together and with Dan Stewart a fine Guitar player (he plays other stuff in other bands including ‘Fiddle’ and Banjo), Grant Allardyce a choice drummer of subtle stylings, who is a teacher of drumming, an also session player and chief drumming personage from Brighton Sussex band ‘The Mountain Firework Company’, and my Mom, Mary Murphy, ace triangle player, they have formed a truly kick arse Cajun outfit that could get your dead Granny up out of her seat and two steppin’ ’till the break of day.

They all live in East Sussex and hail from far and wide geographically and culturally, but they sound like the band members could’ve all been born and raised on Shrimp (go on say it without sounding like Forest Gump!). There’s a lot of touting people as the best sounding ‘British’ Cajun band, the most this, the most that, the most authentic, yawn, snore, break wind, but, and I know I’m saying it myself, they are the best UK Cajun band I have ever heard… and yes you would have seen me at too many Womad festies in the 80s and checking out ’nuff folk music far and wide..

Check ’em out, they seem to be playing just about everywhere these days, Gloucester, Cantebury (opening the Cantebury festival) the North Shropshire Cajun Weekender Broadstairs Folk Festival, Cecil Sharpe House’s File Gumbo club, their home territory of the South Coast and the Cajun Barn in Tunbridge Wells and probably somewhere near you.. soon.

The cd is cheap, the cd is fab, the cd, particularly track 10 – Opelousas Two Step ( a nod to Cory) will have you twirling on a higher plane, in an outer body experience, rapt with the hypnotic sounds of the Hotfoot Specials.

BUY IT

You can buy it via their website. – http://www.hotfootspecials.co.uk/item/kickin-up-the-dust/

Hear some of it here – http://www.hotfootspecials.co.uk/player/?playlist_id=2

The cd is a well recorded ‘live’ recording and really captures the sound of the band going to it. Well balanced and most importantly well played it let’s the players talents and skills shine forth, there are no in studio histrionics, effects, no overloading the ‘mix’ with production values and to all intents and purposes it’s a Mono recording, with EQ left to do the work of pulling the instruments out of the mix. A little compression and off to the pressers it went. I should know I mixed it.

Kickin’ Up The Dust

PRICE £11.50 inc Postage & Packing UK Mainland

Track Listing

1. Two Step d’Amédé
2. Eunice Two Step
3. La Valse Criminale
4. Les Flammes D’Enfer
5. Port Arthur Blues
6. La Valse d’Orphelin
7. Bosco Stomp
8. Tits Yeux Noirs
9. Opelousas Two Step ( a nod to Cory )
10. Johnny Can’t Dance
11. Jolie Blonde
12. Tout Ca Cest Dur A croir
13. Acadian Two Step

Total Running Time 52mins

 

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Mark Professor – Oystah Card


Oystah Card – Tune.. review..

Mark Prefessor, out now, buy it..
Mark Professor, out now, buy it..

There’s a new tune getting spun at Murphy Towers, ‘Oystah Card’, a fun uplift of Jamaican Jerk Mixed U.K. pepper sauce with a dash of humour, a pinch of patois, and a suspicion of hit about it.

And top hole of all… it’s by someone I’ve seen perform on many occasions about the London Reggae revival scene, namely at Tighten Up a night that has morphed about Town for many a year. Mark Byer aka Mark Professor.

It’s got cheek, he rides the riddim like lizard pon a limb, it has a certain Britishness, it’s light, but it’s heavy (ish). It reminds me of that quirky nod and knowing wink that Kilburn and the High Roads had, that was thusly imparted to Suggs and his lot of Mad Men.

Word is Roddy loves it too..

In my role as Bigmikeydread Reggae radio supremo and self inflated fat person people send me ’nuff demo, ’nuff tune, ’nuff stuff, ’nuff already. Mark Professor didn’t, Mark Professor just put together with his crew a tune worthy of spondoolick donations from my very own personal wallet, albeit a Paypal purchase on eBay. Further word is that it’s all but sold out, not a wonder to this here one.

Hear it below..

 

MEK IT RUN Dennis Bovell, fresh Dub from Pressure Sounds


MEK IT RUN

New Dennis Bovell Dub set,… freshly, from Pressure Sounds, Check it…

Just sent the promo for the latest upcoming Pressure Sounds release, and lovin’ it, lovin’ it, lovin’ it.. Dennis Bovell is a Dubster almighty, ignore at your aural peril… simple as.. currently rinsing my ears out on the way to work and the way back home..

An excerpt from the upcoming releases liner notes…

Following recent neck surgery Dennis Bovell was under heavy medical discipline, amongstother restrictions there was to be strictly no playing of the bass. Now, more than any musician,the bass player has an almost physical connection to his chosen instrument, umbilical even,so the prospect of no vibration sensation was going to be difficult to deal with for therecovering Dennis. Not one to let such news impede his onward path Dennis came up with theidea of returning to unfinished work in an attempt to distract attention from his enforced low-end bass cold turkey.

Down in his musical lock-up lay a stack of boxes containing old 2 inch multi-track analogue master tapes, some dating back to the late seventies; Dennis selected some likely looking titles that never had dub treatment and arranged some time in Neil Fraser’s(the Mad Professor)studio as he knew the Prof had every gadget under the sun, there he”baked”tapes ready for digital conversion via an Alesis HD24 a 24 track, 48kHz hard diskrecorder rescuing the sounds from an inevitable oxidisation process that comes with age. At the mixing end Dennis utilises a whole range of outboard gear from old analogue to the latestdigital sets, explaining the unique and separate end sounds of the dubs presented on thealbum.

Of the twenty odd tunes recovered, sixteen are featured on this set, like dubbing on a digiOuija-board they date from the late seventies through the mid eighties. It was at this time thatdeejay of the day I Roy had first come to the UK to tour, and like all visiting Jamaican stars hepicked up a local band, it just happened to be Matumbi led by the young Dennis Bovell whospent most of his time between the ages of 19 and 25 working with that most intelligent andprolific of toasters. He even recalls I Roy’s first UK appearance being double booked sold outdates at both Battersea and Action Town Halls! Of course, the pair went on to record the albumWhap’n Bap’n together for Virgin, an early reggae rap set that the deejay insisted appear underhis real name Roy Reid, lest his roots credentials were impaired.

Early UK Catalogues for Jamaican Music


Melodisc, Rio, Blue Beat, Ska Beat, Dr. Bird, Island, Pyramid, Sue

On a recent visit to see Phil Etgart a well known Jamaican music collector I was told of a wonderful story of how Phil, shortly after buying a collection of records received by post a packet full of Lists and Catalogues from the seller. A packet containing lists of releases by some of the rarest and now most sought after labels in the history of Jamaican music in the UK. I’ve always had a  love the ephemera releated to the music, hence Jamaican Label Art a site I started with another mate, Ian Causer, and it’s with great pleasure and Phil’s permission that I post these here for you to see.