Tag Archives: tracklist

Half Of Six RLC – Mike & Sue and introduction – Track Listing


IMG_4810Here are the songs/tunes, recordings and their sources, recently played on this, our podcast.

1 Fuzztones – Bad News Travels Fast – 12″ Single
2 Anne Briggs – Fine Horseman – Lp The Time Has Come, on Earth Records
3 New Model Army – Green and Grey – Lp – Raw Melody
4 Finbar Furey – Rakish Paddy – Nonsuch Lp – The Pipes of..
5 The Bevis Frond – This Corner Of England – Cd Lp Any Gas Faster, on Reckless Records
6 Sylford Walker – Jah Golden Pen – Joe Gibbs 10″ Roots Archive Series
7 Heaven 17 – Let’s All Make A Bomb – from Lp Penthouse and Pavement
8 Bill Doggett – Ram Bunk Shush – Parlophone 78rpm single
9 The Clash – Brand New Cadillac – Lp – London Calling
10 Bill Haley & His Comets – Mambo Rock – Brunswick 78rpm single
11 B52s – Planet Claire – The B52s Island Lp
12 Count Lasher – Calabash – Caribou 78rpm single
13 John Grant & Midlake – Mars – Youtube video
14 The Pretty Things – SF Sorrow – SF Sorrow Lp re-issue on Madfish Records
15 Hoodoo Gurus – I Want You Back – Uknown
16 Elvis Presley – Mystery Train – HMV 2nd pressing 7″ Single
17 Johnny Flynn & Laura Marling – The Water – You Tube live performance recording
18 Hal Paige and the Whalers – Going Back To My Town – 78rpm Acetate
19 The Cure – Three Imaginary Boys – Boys Don’t Cry – Lp on Fiction records
20 Ian and Sylvie – Catfish Blues – Vanguard – Best Of – Lp
21 Daniel Romano – Rhythmic Blood – Finally Free Lp on East West Records (Nashville)
22 The Caridiacs – Is This The Life – A Little Man and a Horse and the Whole World Window

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MEK IT RUN Dennis Bovell, fresh Dub from Pressure Sounds


MEK IT RUN

New Dennis Bovell Dub set,… freshly, from Pressure Sounds, Check it…

Just sent the promo for the latest upcoming Pressure Sounds release, and lovin’ it, lovin’ it, lovin’ it.. Dennis Bovell is a Dubster almighty, ignore at your aural peril… simple as.. currently rinsing my ears out on the way to work and the way back home..

An excerpt from the upcoming releases liner notes…

Following recent neck surgery Dennis Bovell was under heavy medical discipline, amongstother restrictions there was to be strictly no playing of the bass. Now, more than any musician,the bass player has an almost physical connection to his chosen instrument, umbilical even,so the prospect of no vibration sensation was going to be difficult to deal with for therecovering Dennis. Not one to let such news impede his onward path Dennis came up with theidea of returning to unfinished work in an attempt to distract attention from his enforced low-end bass cold turkey.

Down in his musical lock-up lay a stack of boxes containing old 2 inch multi-track analogue master tapes, some dating back to the late seventies; Dennis selected some likely looking titles that never had dub treatment and arranged some time in Neil Fraser’s(the Mad Professor)studio as he knew the Prof had every gadget under the sun, there he”baked”tapes ready for digital conversion via an Alesis HD24 a 24 track, 48kHz hard diskrecorder rescuing the sounds from an inevitable oxidisation process that comes with age. At the mixing end Dennis utilises a whole range of outboard gear from old analogue to the latestdigital sets, explaining the unique and separate end sounds of the dubs presented on thealbum.

Of the twenty odd tunes recovered, sixteen are featured on this set, like dubbing on a digiOuija-board they date from the late seventies through the mid eighties. It was at this time thatdeejay of the day I Roy had first come to the UK to tour, and like all visiting Jamaican stars hepicked up a local band, it just happened to be Matumbi led by the young Dennis Bovell whospent most of his time between the ages of 19 and 25 working with that most intelligent andprolific of toasters. He even recalls I Roy’s first UK appearance being double booked sold outdates at both Battersea and Action Town Halls! Of course, the pair went on to record the albumWhap’n Bap’n together for Virgin, an early reggae rap set that the deejay insisted appear underhis real name Roy Reid, lest his roots credentials were impaired.

New from Pressure Sounds – LISTEN TO THE MUSIC – CALTONE’S Jamaican 45’s 1966 – 1969


In my opinion Pressure Sounds is the top re-issuer of Jamaican music and has been for some time, rivalled all too briefly by Blood and Fire and only given a run for their money by Rock A Shaka and Dub Store of Japan. Here’s their latest release ready to hit your listening ears.. I got my review copy today and I’m not even going to listen to it before I tell you to go get it.

Pressure Sounds latest as of 19th March 2012

I have their Safe Travel release and it’s essential. Considering all Caltone is essential listening and highly difficult to find and to afford, this release comes as a relief to those of us unable to pay £100 a 7″, whenever anything but the most average Caltone tune comes on the market.

It also comes as a welcome relief to having to listen to the ropey (as in poor sound quality and possible bandulu bizness) double vinyl release that came out a few years ago… Though it has to be saids the sound quality on the review copy of this up-coming release I was sent isn’t the best I think it could have been. Then again, some of the tunes are rare as the proverbial ‘urine of Zeus’.

‘Listen to the music’ is the second Pressure Sounds album of Caltone productions. Following on from the successful Pressure Sounds album ‘Safe Travel’ PSCD/LP47.

Its a 21 track set of tunes that cover the years from 1966 to 1969. From the late period ska years through to early reggae. For the most part the album is full of rare rocksteady gems.

Ken Lack  who founded the Caltone label was a businessman with a passion for music. His connections with Jamaica’s top session players resulted in a series of 45s that were both tasteful and well produced. Included in this 21 track album are tracks by Tommy McCook and the Supersonics. ‘Smooth Sailing’ and ‘Killer Joe’ are both superb horn driven instrumentals. There are three tracks by The Clarendonians led by the vocal talents of Peter Austin. ‘I’m Sorry’ and ‘Lonely  Heartaches’ are top draw rocksteady  songs.  Rare 45s that have never been re-issued since the original Jamaican pressings.

It was Bunny Lee and Phil Pratt who handled most of the hands-on production for Ken Lack although there was undoubtedly much input from Lynn Tait, Tommy McCook and Johnny Moore.

The music, recorded at WIRL, Federal and Treasure Isle studios, is filled with the kind of creativity and attention to detail that has made Caltone records so collectable to this day. When Ken Lack died in 2001 in Miami, Florida of a heart condition he left behind a unique set of recordings and should be remembered for bringing  a more  collaborative and cooperative spirit to Jamaican music.

There is an extra special booklet with many original graphics and photographs.

The mastering is all produced to a high standard and we are very pleased to add this fantastic album to our catalogue.

Track Listing

01. Peter Austin &The Clarendonians with The Ernie Ranglin All Stars – I’m Sorry
02. Lloyd & the Groovers With Tommy McCook and the Supersonics – Listen To The Music
03. Tommy McCook & The Supersonics- Killer Joe
04. Devon and The Tartans – Making Love
05. Alva Lewis with Lynn Taitt and his Band – Return Home
06. Chuck Jaques & with Lynn Taitt and the Comets  – Dial 609
07. The Uniques with Tommy McCook & The Supersonics – The Journey
08. The Kingstonians – Why Wipe The Smile From Your Face
09. The Clarendonians – I’ll Never Try
10. Tommy McCook & The Supersonics – Smooth Sailing
11. The Kingstonians – Love Is The Greatest Science

12. The Clarendonians with The Aubrey Adams All Stars – Lonely Heartaches
13. The Cool Cats – Hold Your Love
14. The Uniques With The Caltone  Studio Orchestra – Do Me Good
15. The Diplomats With Tommy McCook & The Supersonics – Going Along
16. Lloyd and the Groovers with Lynn Taitt & his Band- My Heart And Soul
17. Chuck Jaques & The Supersonics – Now That You’ve Gone
18. Eric ‘Monty’ Morris – Hear Them Say
19. Honey Boy Martin &  The Voices with Tommy McCook and the Supersonics – Dreader Than Dread
20. King Rocky & The Willows with the Super Sonics – You Are The One
21. The Emotions with The Lynn Taitt Band  – Gypsy

‘Looking Back’ – The Jamaican Chart Hits of 1958 & 1959


Fabulous double cd charts the tunes that influenced and gave rise to so much Jamaican musical output.

Just been turned on to a double cd out this year (2011) from Sunrise records, which collects mainly U.S. Pop and R&B tunes that were charting just as Jamaica’s own recording industry was developing into the world dominating force it would become.

Though Jamaica released its first home produced and recorded single 78rpm in 1952, it was the era of Ska music during and post independence that popularised Jamaican music worldwide. In the meantime homegrown sound systems were playing American Pop and R&B hits, interspersed with some homegrown talent & Jazz.

This double cd aims to collect some of those tunes together, many which were the blueprint for future Ska instrumentals, early and later Reggae vocal outpourings and whose influence are still being felt today.

Sleeve notes

Though of course the sleeve notes suffer from being legible only to mice or studious men with thick prescription lenses, such as they are contained within a cd booklet, they are however extensive and an education in themselves. Those that are behind this release have most certainly not skimped on effort!

Tabu

It’s one of very few places (and the cheapest by far) that you will find ‘Tabu’ by Cyril Diaz, the prototype for the Gaylads and then of course Dennis Brown’s ‘Africa’.

Flavour

And if you want to get a flavour for the music that turned Jamaicans on at the end of the 1950s this is a great place to start, and sure beats trying to pick up and pay for US R&B 78s from the USA.

Respect goes to Musical Traces friend Phil Etgart who advised on the project and is quite obviously from the sleeve notes responsible for a good deal of the knowledge contained within them.

Here’s a track list:

HARRY BELAFONTE WITH ROB GORMAN’S ORCHESTRA    ISLAND IN THE SUN
LORD TANAMO    SWEET DREAMING
GENE & EUNICE    VOW, THE
RAYS, THE    SILHOUETTES
BOBETTES, THE WITH THE REGGIE OBRECHT ORCHESTRA    MR LEE
LARRY WILLIAMS & HIS BAND    HIGH SCHOOL DANCE
SAM COOKE WITH THE BUMPS BLACKWELL ORCHESTRA    YOU SEND ME
LAUREL AITKEN    NIGHTFALL IN ZION (AKA ROLL RIVER JORDAN)
CLYDE McPHATTER WITH ORCHESTRA & CHORUS    ROCK & CRY
ERNIE FREEMAN    DUMPLIN’S
JIMMY McCRACKLIN & HIS BAND    WALK, THE
MILSON LUCE WITH THE JOHNNY WALLACE SEXTET    DON’T BREAK YOUR PROMISE
LOUIS PRIMA WITH SAM BUTERA & THE WITNESSES    BUONA SERA
PLATTERS, THE    TWILIGHT TIME
BILL DOGETT    HONKY TONK, PART 1
FATS DOMINO    SICK & TIRED
CHUCK WILLIS WITH THE JESSE STONE ORCHESTRA    C.C. RIDER
NAT ‘KING’ COLE & THE FOUR KNIGHTS WITH DAVE CAVANAUGH’S MUSIC    LOOKING BACK
HUEY (PIANO) SMITH & THE CLOWNS    HIGH BLOOD PRESSURE
CYRIL X. DIAZ & HIS ORCHESTRA    TABU
LOUIS JORDAN & HIS TYMPANY FIVE    SHOW ME HOW (YOU MILK THE COW)
IMPERIALS, THE    TEARS ON MY PILLOW
PEREZ PRADO & HIS ORCHESTRA    GUAGLIONE
LITTLE WILLIE JOHN    FEVER
EARL GRANT WITH ORCHESTRA CONDUCTED BY CHARLES ‘BUD’ DANT    END, THE
LAUREL AITKEN    SWEET CHARIOT
COUNT OWEN & HIS CALYPSONIANS FEATURING EUTON GAYLE AND HIS BANJO    HOOL-A-HOOP CALYPSO
JIMMY CLANTON & HIS ROCKETS    JUST A DREAM
LLOYD PRICE WITH DON COSTA AND HIS ORCHESTRA    STAGGER LEE
COUNT OWEN & HIS CALYPSONIANS FEATURING EUTON GAYLE AND HIS BANJO    ISLAND IN THE SUN
PLATTERS, THE    SMOKE GETS IN YOUR EYES
FRANKIE FORD WITH HUEY (PIANO) SMITH & HIS ORCHESTRA    SEA CRUISE
EARL GRANT    EVENING RAIN
HUEY (PIANO) SMITH & THE CLOWNS    LITTLE CHICKEE WHA WHA
COASTERS, THE    CHARLIE BROWN
THREE PLAYMATES, THE    SUGAH WOOGA
WADE FLEMONS & THE NEWCOMERS    HERE I STAND
OSCAR McLOLLIE & ANNETTE BAKER WITH GOOGIE RENE & HIS ORCHESTRA    HEY GIRL – HEY BOY
LLOYD PRICE WITH DON COSTA & HIS ORCHESTRA    PERSONALITY
JACKIE WILSON    THAT’S WHY (I LOVE YOU SO)
BILLY HOPE & THE BAD MEN    RIDING WEST
LITTLE JIMMY SCOTT    I MAY NEVER (SEE MY BABY ANYMORE)
ERNIE FREEMAN & HIS COMBO    LIVE IT UP (AKA BEARDMAN SHUFFLE)
MIGHTY SPARROW, THE    DEAR SPARROW
LEE ANDREWS & THE HEARTS    IT’S ME (AKA WHAP WHAP)
WILBERT HARRISON    KANSAS CITY
PROFESSOR LONGHAIR    NO BUTS, NO MAYBES
ROSCO GORDON    NO MORE DOGGIN’
DRIFTERS, THE    THERE GOES MY BABY
JOHNNY & THE HURRICANES    RED RIVER ROCK
LAUREL AITKEN & THE BOOGIE CATS    BOOGIE ROCK
LOUIS JORDAN & HIS TYMPANY FIVE    G.I. JIVE
FATS DOMINO    BE MY GUEST
HAL PAIGE & THE WHALERS    GOING BACK TO MY HOMTOWN
HAWKS, THE    I-YI
LAUREL AITKEN    COME BACK JEANNIE
TERRY & JERRY    PEOPLE ARE DOING IT EVERYDAY
GONE ALL STARS, THE    7-11 (AKA MAMBO NO5)
FITZ-VAUGHAN BRYAN’S ORCHESTRA WITH VOCALS BY KENTRICK PATRICK    EVENING NEWS

http://www.sunspotrecords.co.uk/Sunspot_Records.html

The Bristol Reggae Explosion 1978 – 1983


The Bristol Reggae Explosion 1978 – 1983

 

Interesting compilation coming out on Bristol Archive Records seeing an official release in the early part of next year, though it is available to purchase in advance here – http://bristolarchiverecords.bandcamp.com/album/the-bristol-reggae-explosion-1978-1983

I’ve got a promo copy for the car and have particularly enjoyed Ressurection’s – Four Point Plan, apparently Ressurection featured a young Rob Smith on guitar, he’s better known now as Smith of Smith N’ Mighty, reknowned remixers. Like a lot of good things, he hails from Bristol.

Bristol is and was one of the important musical and particularly Jamaican musical hotspots in the UK, and alongside Birmingham and London is was where it was all happening back in the day, check out your intro into the Bristolian affect on this release, heartily recommended.

Here is what the label says about it:

THE BRISTOL REGGAE EXPLOSION 1978-1983

Released on CD, VINYL and DIGITAL DOWNLOAD

Release date 21st February 2011

From Pop to Punk, the late seventies and early eighties saw a huge explosion in the number of local bands as more and more people thought they’d give it a go, new studios and independent labels weren’t far behind and Reggae wasn’t going to be left out of the musical mix.

If the majors were even aware of Bristol they showed minimal interest and it was left to the bands themselves and the handful of indie labels to document Bristol’s contribution to what was then a vibrant UK Reggae scene. Working on tight budgets and with no money for marketing campaigns local bands managed to release a small, but steady flow of vinyl, mostly pressed in tiny quantities and often sold direct to fans at gigs, these records, although cherished by those who own them, and sought by those in the know, have been largely ignored by the wider music industry.

Fortunately Bristol music has its own champion in the shape of Bristol Archive Records, a label with a mission to share our great musical heritage with the world, “The Bristol Reggae Explosion 1978-1983” is the first and only attempt to document the local Reggae scene from the late seventies until the early eighties. With the exception of the Black Roots tracks none of the recordings have ever been reissued and all were originally released before CD had been launched, so this is their debut in the digital format.

The music itself reflects the dominance of the Roots style in Bristol, even today Roots is by far the most popular type of Reggae in both the retail and live scenes locally, Black Roots live up to their name and show why they were the equal of any UK Reggae band in their day, Talisman, Restriction and 3D Production follow in their Roots footsteps, but a real highlight of this release is the inclusion of the ultra rare “Africa Is Our land” from Joshua Moses, a UK Roots classic. Bristol wasn’t all about Roots though and the other tracks follow a more mellow template, dealing with love and relationships, both Talisman and Joshua Moses show another side to their music and are joined by tracks from Buggs Durrant, The Radicals and Sharon Bengamin who’s “Mr. Guy” is a classic UK Lover’s track in the mould of Janet Kay, Carroll Thompson, Louisa Marks et al.

“The Bristol Reggae Explosion 1978-1983” will be released as a fourteen track CD, but you can’t have a proper Reggae release without it being on vinyl so there will be a very limited vinyl pressing featuring an eight track selection and just to keep things local the sleeve art is a mid-eighties carnival shot from Bristol’s own Beezer, (www.beezerphotos.com), featuring a classic image of Jah Revelation sound-system.
This release will shine the spotlight on a long neglected corner of the UK Reggae scene and Bristol’s musical heritage, the same music that would help underpin Bristol’s musical dominance in the following decade.
www.bristolarchiverecords.com

credits
released 21 February 2011
The Bristol Reggae Explosion 1978 – 1983

Track listing:

01. Black Roots : Bristol Rock (Bunny Marrett) (Arranged by Black Roots) p Nubian Music 1981

02. Joshua Moses : Africa (Is Our Land) (Joshua Moses 1978) p Copyright Control 1978

03. Talisman : Run Come Girl – Live (Taylor / Talisman 1980) p Recreational Music 1981

04. Restriction : Four Point Plan (Restriction 1983) p Unitone Publishing 1983

05. Black Roots : Tribal War 12” Mix (Black Roots) p Nubian Music 1981

06. Restriction : Restriction (Restriction 1983) p Unitone Publishing 1983

07. Joshua Moses : Pretty Girl (Joshua Moses 1979) p Unitone Publishing 1979

08. Talisman : Wicked Dem – Live ( Taylor / Talisman 1980) p Recreational Music 1981

09. The Radicals : Nights Of Passion ( John Carley 1980) p Copyright Control 1980

10. Sharon Bengamin : Mr Guy (Unknown 1980) p Unitone Publishing 1980

11. Black Roots : Juvenile Delinqent (Black Roots) p Nubian Music

12. Buggs Durrant : Baby Come Back(Home) (Errol Williams 1983) p Unitone Publishing 1983

13. 3-D Production : Riot (John Carley 1980) p Third Kind Music 1980

14. Talisman : Dole Age 12” Mix ( Joseph / Talisman 1981) p Recreational Music 1981

Tracks 1, 5, 11 originally released on Nubian Records
Track 2 originally released on More Cut Records
Track 3 and 8 previously unreleased Live Recordings
Track 4 and 6 originally released on Restriction Records 1983
Track 7, 10 and 12 originally released on Shoc Wave Records 1979, 1980 and 1983
Track 9 originally released on The Bristol Recorder 2 1980
Track 13 originally released on Third Kind Records 1980
Track 14 originally released on Recreational Records 1981

Track 1, 5 and 11 Engineered by UK Scientist, Recorded at The Facility, Produced by UK Scientist and Black Roots
Track 2 Engineered by Dennis Bovell, Recorded at Gooseberry Studios London, Produced by Dennis Bovell
Track 3 Recorded Live at Glastonbury Festival
Track 4 and 6 Engineered and Mixed by The Mad Professor, Recorded at Ariwa Sound Studios London, Produced by Restriction
Track 7, 10 and 12 Produced by Gene Walsh, Recording location unknown
Track 8 Recorded Live at Bath University
Track 9 Engineered and Produced by David Lord at Crescent Studios Bath
Track 13 Recording location unknown, Arranged and Produced by Ron Green
Track 14 Engineered by David Lord at Crescent Studios Bath, Mixed by UK Scientist, Produced by Talisman and UK Scientist

All tracks re-mastered by Steve Street, July 2010
All Rights Reserved

P c Bristol Archive Records 2010

Thanks to

Martin Langford, Steve Street, Sam Giles, Gene Walsh/Joshua Moses / Shoc Wave, Brendan, Des, Denison / Talisman, Jabulani Ngozi / Black Roots, John Carley, Rob Smith / Restriction, Adrian at Great Bear, Lloyd Harris / Chris Parker/Recreational Records, Alfredo / Nubian Records, St.Pauls Carnival Office / Steve , Thomas Brooman CBE / The Bristol Recorder People, Gary Chapple and “all the musicians who played on these tracks”.

Photo credits: Thanks to the original photographers and artwork designers with whom copyright remains on their work

Front cover image Beezer

Artwork by samgilesdesign@gmail.com

This album is dedicated to Mark Simpson and Trinity Hall

Bristol Archive Records, July 2010
www.bristolarchiverecords.com
email: info@bristolarchiverecords.com

Early UK Catalogues for Jamaican Music


Melodisc, Rio, Blue Beat, Ska Beat, Dr. Bird, Island, Pyramid, Sue

On a recent visit to see Phil Etgart a well known Jamaican music collector I was told of a wonderful story of how Phil, shortly after buying a collection of records received by post a packet full of Lists and Catalogues from the seller. A packet containing lists of releases by some of the rarest and now most sought after labels in the history of Jamaican music in the UK. I’ve always had a  love the ephemera releated to the music, hence Jamaican Label Art a site I started with another mate, Ian Causer, and it’s with great pleasure and Phil’s permission that I post these here for you to see.

Calypsos from Jamaica on Ritmo


Calypsos from Jamaica – Ritmo / Sounds of the Caribbean

Calypsos from Jamaica is an album worth having for the cover alone. It has been released at least twice, on two different labels and with differing cover art. I believe the Sounds of the Caribbean release is the second of the two. From memory it does not mention that it is recorded in Jamaica B.W.I. (British West Indies), only that it is from ‘Jamaica’, which may infer that it was released after independence. The second release has a rather plain cover and is nowhere near as colourful and attractive as this classic of album art. Perhaps times had changed since it’s first release and a cover that featured artwork that has more than a dash of racism about it’s artwork was considered inappropriate?

The lack of any track listing on both Lps makes it difficult to work out exactly which singers should be attributed to the songs that are shown. I have attempted to create one here, utilising Roots Knotty Roots the guide to Jamaican single releases compiled by Bob Shoenfeld and Mike Turner and my own knowledge such as it is. I hope that those of you who either own the Lp or wish to will find it easier now to match the singers, with the songs.

Bob unfortunately is no longer with us, but Mike’s work continues with Algoriddim and the creation of an online Jamaican Single Release Discography. Those of us who regularly leaf through the paper copy will certainly enjoy the prospect of an online resource.

The rear of the Lp lists a few artists that are on the Lp, but un-helpfully, not all of them. Those artists are – Lord Flea, Hubert Porter, Wigglers and Lord Lebby, all well-known Mento’ists and Calypsonians.

Details of the two different issues are thus:

1st Issue (Above)

VINYL    LP    VARIOUS ARTISTES, LORD FLEA, HUBERT PORTER, LORD LEBBY    – CALYPSOS FROM JAMAICA  –  Label =   RITMO    Catalogue number – 12-503    LP  A Side Matrix 12 503 A1 Producer? (Ken Khouri) / Released in the U.S.A.

2nd Issue

VINYL    LP    VARIOUS ARTISTES – CALYPSOS FROM JAMAICA – Label = SOUNDS OF THE CARIBBEAN  –  A Side Matrix slp 734 a 1-14-71    Producer? (Ken Khouri) – Released in the U.S.A.

Tracklisting:

A1    HUBERT PORTER    – RUM AND COCONUT WATER
A2    LORD TICKLER    – LIMBO DANCE
A3    HUBERT PORTER & HIS JAMAICAN CALYPSONIANS    – NOT ME
A4    LORD LEBBY    – DR. KINSEY
A5    LORD FLEA & HIS JAMAICAN CALYPSONIANS    – SOLAS MARKET / WATER COME FROM ME EYE
A6    HUBERT PORTER & HIS JAMAICAN CALYPSONIANS    – MARY’S LAMB
B1    WIGGLERS    – LINSTEAD MARKET / DAYO
B2    HUBERT PORTER & HIS JAMAICAN CALYPSONIANS    – OLD LADY YOU MASH ME TOE
B3    WIGGLERS    – JAMAICA MERMAID
B4    LORD LEBBY & HIS JAMAICAN CALYPSONIANS    – MAMA DON’T WANT NO PEAS NO RICE
B5    HUBERT PORTER    – TEN PENNY NAIL
B6    HUBERT PORTER    – MISS GOOSIE

All the songs appear to have been originally recorded by one producer Ken Khouri, and most of them originally released on 78rpm on the Jamaican ‘Kalypso’ label and also on the U.K. based ‘Times’ label, and one or two also in the USA on ‘Ritmo’, which would tie in nicely with the 33rpm Lp release and possibly help to confirm it as the 1st of the two known pressings.

If you’re interested in finding out more about Jamaican Mento / Calypso then Mike Garnice’s web site Mento Music is an excellent place to find out more. http://www.mentomusic.com/