Pachyman In Dub – Permanent Records – PERM 062
Pachyman In Dub, released this year (2019) is an homage to all that was great about 1970s Dub Reggae.
Pachyman, an obvious enthusiast for Roots Rockers Reggae and the sonic qualities of that genre, delivers into ’nuff skanking ear worms deep and heavyweight baselines, like Robbie Shakespeare in his own Barbell label days, with the accompanying phasing and echo effects of Dub Master King Tubby straight outta Drummilie Avenue and some oh so tasteful keyboards over the top in the style of Winston Wright or Bernard ‘Touter’ Harvey. You can hear the influence of producers like Bunny Lee and Lee Perry and the mixing touch of engineers like Errol Thompson and the then Prince Jammy. pachyman.bandcamp.com
His lines are choice, and he’s listened and absorbed, you can tell he has a great ear and he has heard what you have heard, and he has heard the word and that word is DUB. He plays everything and very musically indeed.
Each tune is a little ‘Dub’ gemstone, shining brightly on it’s own, and what I enjoyed was that he has treated each ‘Dub’ as a stand-alone production in their own right, i.e., unlike their 70s counterparts, they are not the re-cycled versions of vocal or instrumental original songs, they are stand alone tunes in their own right and his love for the genre rings true all the stronger for this treatment. They are each a little Dub imagining. I’m hoping we may hear a Deejay version of this Lp, or even that he retrospectively gets some singers and players to produce one away originals on the rhythms he’s created, because those rhythms are strong.
It suffers a little from the outboard he’s used to create it, as the sound at times can seem a little flat and the audio field isn’t as wide as you might want to enjoy, but something about the bottom end and mid range sound, the lack of a truly clean and crisp top end and the flat Mono nature of the mix down gives it more of an original feel. It sounds like an Lp produced, perhaps not at a leading studio of the time like Channel One, but perhaps somewhere where they hadn’t quite got the sound totally sussed yet, working on a smaller budget, possibly making it all the more accurate and retrospectively correct, .. has he gone to the ultimate degree to produce a truly ‘retro’ sound? Probably not, but it’s fun to play with the idea that the concept might just go this deep.
I only found out about this Lp a number of mere months after it was released by Permanent Records in the USA, and with no European distribution and already SOLD OUT but the time I knew of it I was left to hunt down a test pressing, pay through the nose for it and then pay the import tax when it came into the country, making it considerably more expensive than many rare Lps of original material I have sourced through the years. But, I believe it’s worth it, which says a lot I think for the quality of the music and the ear of it’s creator.
Check out ‘Jumpy’, my favourite tune of the Lp, but they’re all good. I suggest your roll up on a copy.. soon.