Sometimes the object is enough in it’s own right
Just out from Soul Jazz, most recent purveyors of all that is Studio One related in the UK (music and otherwise) comes this coffee table booky wook, collecting some of the covers from Studio One’s catalogue for your viewing pleasure, though if you collect the Lps, you’ll have a significant amount of the artwork already.
It’s nice to have and there are a few you may not have seen before, such as the Tabernacle Gospel Lp covers or the Sri Chimnoy Lp (now legendary as a rarity) but there isn’t a lot here to stun an enthusiast for the label. Frankly that’s been the case with most of Soul Jazz’s output of Studio One material musically and so it is visually, also.
They (SJ) I think have missed a complete trick, in that on occasion they mention the sleeve notes and quote from them, they could have included many more, for the quirky nature of them are well-known and often amusing or enlightening. Including the cover of the Lp Pirates Choice (which has never it seems been reproduced as anything but a muddy turdish greeny brown of a poorly registered example of what NOT to do if you are a Litho printer) seems odd too. There are more Lps they could have chosen from, with more to offer the viewer, casual or otherwise.
There is no logic or rhyme to the choices made and to the inclusion of some of the more recent Lp covers, which have little or no individually distinctive style whatsoever.
The forward by Steve Barrow is little more than yet another introductory level run through of Jamaican music history, though generally accurate for all that and still an engaging read for the newly converted. Though it should be mentioned that no Mento was ever to my knowledge released by Tewari on Down-Beat, only on sister label Caribou.
In recent years every little old lady has come to think that she’s a record dealer; at least that is how it appears when you’re trying to buy something halfway interesting in what the Americans call a ‘thrift store’ and the Brits call a ‘Charity Shop’.
Some idiot at head office gave them a copy of the Rare Record Collector but forgot to tell them about the grading system with a sliding scale of value against condition to be seen at the rear of the guide.
Why do they think that every record is in perfect condition? I know that sight fails in older age, but scratched to hell and ripped to shit are two grades even Helen Keller could have understood surely! I know I’m not being very generous of spirit, but guess what, it annoys the hell out of me. Once I was able to use this source to fund my own collecting, but no longer.
Once upon a time you could toddle off to your local town and trawl through countless Jim Reeves, Slim Whitman, My Fair Lady, Demis Roussos, Leo Sayer, Clayderman, and other musical dung heap inhabitants’ Lps to hopefully find something interesting or perhaps something you knew others wanted and you could turn a small collection enhancing profit on. However, that’s all changed.
1. That Lp hasn’t sold for that sort of price since 1991
2. The Vinyl or the cover or both are not in Mint condition so it won’t ever sell for your asking price of £40; a member of the public will just laugh at the price and someone who wants it and knows it might be worth the asking price but only rarely and only in perfect condition won’t buy it… and the worst of it is the shop will probably send it to landfill when it doesn’t sell.
All the time this prevents me and people like me from turning a slight profit and being able to use those funds to continue buying what we are really interested in elsewhere by funding our obsession with the occasional Charity Shop find and other sources.
To boot you are throwing away some rare music that would sell if only you knew what you were doing; not attempting to flog said lps on the basis of some half arsed notion of what you think it’s worth, based on misinformation in the Rare Record Collector.
The RRC has never been accurate, in fact they allude to this on the front cover, IT SAYS – GUIDE!!!!
Prices are changing every day, those Cliff Richard tunes that it said were worth £5 each in the 2010 edition aren’t worth 10p for twenty today, try selling them and you’ll find that out super quick. 60s pop has not held it’s price and it’s worth has plummeted in the last 5 years; but try telling that to the little old lady who has been told to use the guide and has priced something you might like at £4.98 over what anyone half sane would try to sell it for. And then (sorry to go back to this) when you actually do look at it, it’s not MINT and yet they’ve graded it so, having never been alerted to the rear of the book or read the intro for that matter.
I’ve used and tried using charity shop finds to finance my own collecting for years, but that little source has all but dried up because of the stupidity I refer to above.
Once you could find a rare Don Rendell and Ian Carr Lp for 75p and flog it for £175 to fund your Jamaican music collecting, and occasionally you might find an interesting Caribbean musical item, Amalgamated’s Jackpot of Hits and a set of Blind Blake Higgs ART Records Lps both spring to mind as past surprises, but no longer does this state of bliss exist.
Every time you fall across something you know is of interest, when you check the price, you just have to try and laugh and walk away.
For example, I was in a shop in Lewes East Sussex a while back, found a Rare’ish Josh White 10″ Lp on Brunswick, with a badly ripped cover, no inner sleeve and scuff marks a plenty, expecting it to be 50p I took it to the desk.
‘That’ll be £14.99 please’, the old lady record expert vinyl dealing charity shop assistant said…. I just walked away.
What I wanted to say was ‘Don’t you realise that the market for late 50s Folk and Trad Jazz is dead, all the old geezers who once collected it are dying, all the old geezers who had a few tunes and might have sold them to the dealers and collectors are dying, the market is flooded AND this has got a really fucked up cover. Sell it to me for £1 maximum because I’m probably one of only three people who know who Josh White was in the whole of this town anyway! Josh White isn’t even ‘that’ roots, he was a bit cross-over and this Brunswick Lp is no where near as rare as the stuff he did on Melodisc. AND the RRC is way off the mark, stop reading the fucking thing!
If I had some hair I’d pull it out!
This is a rare 3 x 78rpm album produced in Jamaica, pressed in the UK and sold in a store called Times Store in Kingston Jamaica. The records are on the Times Store label and were produced by Ken Khouri at Federal. They date from the 1950s, but the exact release date or year of release is not known.
There are to date only three of these album sets known to be in existence, Dan Neely, Jeremy Collingwood and I own them. If you have any questions regarding the set, then fee free to get in touch.
The single 78s within have the following songs on them and details follow.
The version of Wheel and Turn Me is particularly fine and finishes unusually with some rather adventurous trap drum playing. You can hear a copy of it here > http://hftvj.podomatic.com/enclosure/2010-11-03T05_22_38-07_00.mp3
TIMES RECORD JAMAICAN CALYPSONIANS, THE – WITH VOCAL LORD FLEA TIME SO HARD / OLD LADY (JAM 101) UD. 1003
TIMES RECORD JAMAICAN CALYPSONIANS, THE – WITH VOCAL LORD FLEA SOLAS MARKET / WATER COME FROM ME EYE (JAM 102) UD. 1003
TIMES RECORD JAMAICAN CALYPSONIANS, THE – WITH VOCAL LORD FLEA WHEEL AND TURN ME (JAM 103) UD. 1002
TIMES RECORD JAMAICAN CALYPSONIANS, THE – WITH VOCAL LORD FLEA MATTIE RAG / BROWN SKIN GAL (JAM 104) UD. 1002
TIMES RECORD JAMAICAN CALYPSONIANS, THE – WITH VOCAL LORD FLEA DONKEY CITY (JAM 105) UD. 1003
TIMES RECORD JAMAICAN CALYPSONIANS, THE – WITH VOCAL LORD FLEA RUN MONGOOSE / LINSTEAD MARKET (JAM 106) UD. 1003
http://jamaicanlabelart.com/ J.L.A. is a website for those people who are obsessed with Caribbean music and the artwork and design of the labels on the vinyl reproductions of that music. It doesn’t matter if those labels are on recordings of Jamaican music released in the U.S.A., or indeed Trini Calypso released in the U.K. It’s all the same to us!
We don’t intend the site to be an exhaustive discography of single releases, there are plenty of those to be bought from the bookseller or found for free on the Net. Instead we both thought it was about time for an online version of a coffee table book; glossy and thin on information but thick on indulgence.
In short pure eye candy, nothing more. There are enough weighty tomes available to the serious collector, so go make yourself a long cool cocktail and treat yourself to some pure pleasure.