Musical Artifact no1 – Stanley Motta MRS 78rpm Record Sleeve
There is so much you can learn..
There is so much you can learn from just one object, one step in your collecting and accumulation. This sleeve is just one such object. (Pictured Below), it was very kindly sent to me by a seller on eBay, gratis, thanks Phil, you know who you are!
Tab Smith and the Duke
To begin with; it came with a 78rpm single of Tab Smith’s ‘My Mother’s Eyes’ on Down Beat in it. This tune was Duke Reid’s sign on tune for his Treasure Isle Time radio show in Jamaica in the early days of Jamaica’s self-produced musical excursions, it is also on an interesting record label – Down Beat.
Down Beat was the label owned by Dada Tewari a wealthy immigrant to Jamaica of Indian extraction. He owned this label and the Caribou label; which alongside a staple diet of Mento and Calypso featured some of the earliest self-produced Jamaican Shuffle Blues, Boogie and Ska productions, notably those featuring Cuban Laurel Aitken, later to be the Skinheads Reggae and Ska artiste of choice.
Down Beat as far as I am aware exclusively licensed and released U.S. music, mainly American Shuffle Blues, Jazz and Rhythm and Blues, the Tab Smith tune, being an example of this. The records were as far as I am aware, pressed in Jamaica.
Motta and MRS
Stanley Motta was Jamaica’s first producer to release a record recorded in Jamaica, in Jamaica. By that I mean, the song was both recorded in a studio in Jamaica and then given release there, up until this release. ‘DAN WILLIAMS AND HIS ORCHESTRA – VOCAL LORD FLY MEDLY OF JAMAICAN MENTO on MRS SSS.2033X / 01A released 1952 (probably recorded late ’51) nothing recorded in the actual country had been released there as far as is known. There are some people, notably Ernest Ranglin, who claim that Jamaican Mento was recorded in New York, sometime before this ’52 release and of course there were people recording in Jamaica, like Ken Khouri around this time, just that they had not at this point actually released anything commercially. The sleeve you see contained one of the single 78rpm discs produced by Motta and his company.
Further useful information can be gleaned as to exactly where his operation was located and what songs had up to the point of this sleeve’s printing, been released from the sleeve.
One small simple and rather tattered object can tell you so much about musical history.