Collecting Music In Modern Britain
I just finished an interesting book by a chap called Will Hodgkinson, called ‘A Ballad of Britain’ in it he traces music around Great Britain, as if he were a modern day Alan Lomax, collecting it on the modern day equivalent of a wire recorder (though it was lomax’s dad actually that used one of those). Though I think he missed more than one or two tricks along the way, it is most definately an interesting read, including a section where he visits Martin Carthy and Norma Waterson in Robin’s Hood Bay in N. Yorkshire.
I once met Martin and Norma at a restaurant in Oxfordshire, near Bampton where I had been dancing with the South Downs Morris. He, in a strange twist was interested in the hand held recording device I was using to record Francis Shergold’s side that Whitsun Bank Holiday Monday.
Amazon (not the only place selling it, describes it thus)
In 1903, the Victorian composer Cecil Sharp began a decade-long journey to collect folk songs that, he believed, captured the spirit of Great Britain.A century later, with the musical and cultural map of the country transformed, writer and journalist Will Hodgkinson sets out on a similar journey to find the songs that make up modern Britain. He looks at the unique relationship the British have with music, and tries to understand how the country has represented itself through song.